Billetterie
boutique

SUMMER WORKSHOP 2025

Nolwenn BROD

Affective tones: a place, a time, others

From Mon 21 July to Fri 25 July 2025
35 hours on 5 day(s)

820,00€ - 5 jours - Tarif en autofinancement 2025
First payment of 30%: 14 days after registration (withdrawal period expires)
Second payment of 70%: After starting the course

CONTACT & INFORMATION
Marie Couteux & Fabrice Courthial
stage@rencontres-arles.com
0490967606

Add to basket
This course will allow you to apprehend in a sensitive way a fraction of territory, in the heart of the city of Arles or its surroundings.

It will initially involve surveying a space and exploring it in contact with others. From individual exchanges with Nolwenn Brod and a constant sharing of points of view with the group, the challenge will be to define an intention and "a gentle strategy" to then engage in the production of a short series.
Five dense days that will allow you to deepen your vision of a place, your approach, while taking into account the time allowed, the circumstances, seeking to move forward, to create a link, meaning, step by step, without pressure.

A process that will also rely on experience, sensitivity, past work and the relationship that each person has with photography. Over the days, a personal universe will assert itself, a distance, a balance will become clearer and emotional tones will guide choices.

A significant part of the work will focus on editing and chroming the images. Seeing, retaining, separating, bringing together, weaving together images, to gradually build a corpus and work on its presentation on the wall.
The days will take place in groups in order to alternate individual sessions and collective discussions on the current series. References, the discovery of the works of authors can, if necessary, enrich or guide personal approaches.
NOLWENN BROD
Born in 1987, Nolwenn Brod is a French artist based in Paris. A member of the Vu agency since 2016, she has been represented by galerie VU' since 2014.

Nolwenn Brod's photography is phenomenological, placing the experience of encounter at the heart of the creative process. It all began in Ireland in the footsteps of her father (Va-t'en me perdre où tu voudras, 2015 - Poursuite Editions), then in cities with industrial or port pasts, affected by war: Lodz, Warsaw, Gdansk in Poland, Beirut in Lebanon and more recently Brest in Brittany.
The subject is often the representation of an inner struggle, a duel, the forms created by conflicting forces. Each portrait, each individual case, is necessary; photographic bodies make up society. The meticulous observation of significant everyday gestures, micro-sensation, micro-events, the lability of the present moment between beings and their ontology nourish his work. With, on, under and through are all conjunctions with which to apprehend the environment and inhabitants in and with whom she works.
Projects are often nurtured by literary companionship: Witold Gombrowicz's structuralism of the street accompanied her in Poland during the making of Temps de l'immaturité (2018-21, in progress); in Creuse, on the lines of Gilles Deleuze, she composed the photographs for La Ritournelle (2015-16); more recently, Jean-Luc Nancy, Charles S. Peirce and Tanguy Viel inspired Les Hautes solitudes à Brest (2021-22 in progress).

She develops her projects as part of creative residencies in France and Europe, where she mixes photography and video, and also carries out commissions for the press and institutions.

Her work is regularly exhibited in France and Europe, and can be found in the collections of the Bnf, the Musée Nicéphore Niépce, the Musée de Bretagne, the Villa Noailles, the Agnès b collection, the Neuflize OBC fonds d'entre- prise, artothèques and private collections.
Her first book was published by Editions Poursuite in 2015, with the second in preparation (Les hautes solitudes).


Vu' Agency
 
 
PRACTICAL INFORMATION
Face-to-face training course
Location: historic center of Arles
Mobility: stairs to access the building and for several interior rooms (contact us)
Number of participants: between 6 and 10 people
Start of the photo course on the first day: 10:00 a.m.
End of the photo course on the last day: 7:00 p.m. followed by a group presentation until 9:00 p.m.
Hours on other days: 9:30 a.m. - 12:30 p.m. and 2:00 p.m. - 6:00 p.m.
Possibility to bring your own meal and eat on site during the lunch break

CONTENT
Daily shooting
Selection session on computer and/or on reading print
Study and analysis of the photographs taken
Daily reflections and discussions to define the characteristics of a personal approach
Analysis of the different central stages of a photographic production
“Final editing” session in order to produce a series homogeneous
Finalization of a series on digital file, printed then hung

OBJECTIVES
- Understand different stages of the production of a photographic series: take shots
- Finalize a “coherent” set of digital photographs on a personal theme

SKILLS TARGETED
- Be able to conduct a photoshoot session independently
- Succeed in selecting a coherent set of photographs on a personal theme

PRE-REQUISITES
None.

TARGET AUDIENCE
Anyone wishing to develop their photographic practice. Amateur photographers, novices or experienced. People working or studying in the field of image, communication, journalism, architecture… Professional photographers wishing to explore a new field, a new technique.

PRICES
see the price list according to the duration and type of support. Request a quote

BRING (IDEALLY)
- A selection of about 30 images showing your practice (preferably on paper / format of your choice) / Highly recommended to get to know the trainer.
- Your camera with charger, batteries ... (Free loan possible on request)
- 2 memory cards (to keep your photos)
- Possibly hard drive (mac compatible) or your computer if you wish

TERMS AND CONDITIONS OF ACCESS
After receiving the registration and self-positioning form, a telephone or message exchange may be made. Registration is definitively validated after acceptance of the training contract and receipt of the 30% deposit after a 14-day withdrawal period.

TEACHING METHODS
Supervision by a professional trainer/photographer
The trainer reads the registration and self-positioning form in advance in order to adapt the process and methods to the objectives.

TECHNICAL METHODS
Mac computer workstations/card reader
Video projector
Flash and LED lighting on request
Hybrid digital camera on request
A library of photographic works

ASSESSMENT
- Interview and individualized assessment upon entering the training
- Carrying out practical exercises continuously assessed by the trainer
- Oral assessment at the end of the training

FORMALIZATION AT THE END OF THE TRAINING
Certificate of completion of training

ACCESSIBILITY AND DISABILITY
Whether you are recognized as having a disability or not, we are at your disposal for any information, and will do everything possible to support you, adapt the content, the materials, the pace and facilitate your reception.
For any further information please contact Mr Fabrice Courthial at 04.90.96.76.06

CONDITIONS OF ACCESS FOR PEOPLE WITH REDUCED MOBILITY
Presence of stairs to access the training location
Building with stairs to access certain classrooms and shooting locations.
No access ramp or elevator.



Exhibitions ticketing
Press accreditation